No need to go out, as there’s been a lot to enjoy on TV over the last few months, the majority of it imported from America.
I read an article a while ago (in the Times, I think) that pointed out that the UK and the US are going through a change of competency when it comes to comedy and drama programming. For years it was accepted that America was the source of all the great recent comedies: Cheers begat Frasier and Seinfeld begat Curb Your Enthusiasm, while Friends and the Simpsons ruled every country in the world in syndication. Meanwhile the BBC continued to produce quality drama. Recently that trend has changed - the BBC gives us (and then America) The Office, BBC Three proves that it deserves to exist by giving us the sordid and fantastic Monkey Dust while Channel 4 gives us Black Books and Spaced. (Although it’d be nice to get some more Spaced - Pegg: get busy!)
On the other side of the pond, the American networks have been creating some fantastic drama and science-fiction. 24 is an obvious standout, we’re four hours into Jack’s new nightmare day and I’m as gripped as ever. It’ll never seem as fresh or as imaginative as the first season when the concept still seemed brand new but it’s still great episodic television. I have good memories of the first series as I caught up with it in one marathon viewing over a bank holiday along with my then housemates. We put on the first disc “just to see what it was like” and then kept feeding the DVD player with discs until we’d had our fill. Great stuff.
Nip/Tuck’s second season started last week on Sky and is proving just as fun as the first season. So far with no repercussions from the genius way they got rid of the bad guy in the season finale, but I’m sure it’ll all kick off again soon enough.
Battlestar Galactica is the best science-fiction on television today. Filmed in almost documentary style, even the CGI has a gritty realism; just watch the next time you see a shot of a space battle in it, the camera pans *past* the ships, and then back again - as if the “cameraman” missed the action. It’s small touches like this that really make the show worth watching.
It owes little to the series that spawned it; taking the basic concept and some character names and running with the idea. Less time spent visiting interesting planet of the week, more time spent dealing with the Cylon threat, political in-fighting, and the dirty business of surviving. I love it. This is grown-up SF - there’s no magic reset button at the end of an episode here. If someone dies, they stay dead. StarTrek never seemed more safe or staid. If you can get hold of it try and see the mini-series that acts as the pilot for the show - it has some truly powerful moments. I think it works because it is a quality drama series that just happens to be set in space not just an “alien-of-the-week” episodic SciFi show.
It was great to see Farscape back on the small screen in the guise of a mini-series titled “Farscape: The Peacekeeper War”. I’d forgotten how much fun Ben Browder’s Chrichton was to watch and how entertaining the banter between him and Scorpius. I’m really looking forward to Browder and co-star Claudia Black showing up in season nine of Stargate SG-1 later this year.
Despite Richard Dean Anderson’s reduced input to the show, StarGate SG-1 has continued to provide great stories balancing the epic story arc that now stretches back to the first season with characters and situations fresh to the latest season. SG-1 is another of those rare SF shows that doesn’t push the reset button at the end of a show: if SG-1 discover a bit of alien technology, you can bet they’ll put that to use in a later episode. If they meet a friendly alien race it’s a fair bet that they’ll turn up in a later episode with some input to the current crisis. Add to that the ongoing political machinations back on Earth and you’ve got a hell of a lot of story to tell. Ben Browder’s character will appear in season nine which will be fun, it’ll be interesting to see if he shares any screen time with Claudi Black when she reprises her SG-1 role from season eight.
StarGate Atlantis has been a blast. Not least for showing us how capable an actor David Hewlett is when given the chance. His Rodney McKay - the acerbic astrophysicist - has appeared before on SG-1 where he rubbed Carter up the wrong way, but he really shines as a more rounded character in Atlantis. Evolving from the insular scientist we first met he’s become an explorer, a fighter, in some cases even a leader. His banter with Shepherd has been particularly enjoyable.
The real surprise of the new season of telly has been HUFF, a show I’d heard precisely nothing about. Airing on FX289 in the UK it introduces us to Hank Azaria’s troubled Craig “Huff” Huffstodt a psychiatrist who lacks balance and clarity in his own life, while struggling to help others achieve these goals. His wife, Beth, is played by Paget Brewster who you’ll recognise from her stint in Friends playing Kathy - Joey’s girlfriend with whom Chandler falls in love. I’ve only seen the first two episodes but I’m hooked, primarily because of Hank Azaria’s outstanding performance. This is a man who I’ve previously only known as the voice of Professor Frink (and who knows how many more characters) in The Simpsons. His nuanced performance as Huff is a revelation.
Alias continues to impress and confuse in equal measure! This is a show that never seemed to take off in the UK, so I have to get my fix via BitTorrent download. This is no great hardship as it is broadcast in HDTV on ABC in the US so the quality I get is outstanding - HiDef widescreen with surround sound. Nice! The first few episodes of season four have managed to rearrange everyone’s lives to the extent that if you’d missed seasons two and three, you’d think nothing had changed from season one - everyone is working for Sloane again. Dixon is back in the field, and Sydney continues to flip-flop her affections for her father and of course, for Vaughan. I still miss the character of Sydney’s almost platonic friend Will who seemed to disappear completely in season three. I can understand why removing him makes the writing easier: Sydney no longer has to invent endless cover stories for her travel as she now works with all her friends on the same missions. A bit of writing convenience that I’ll allow them! Now we wait for the inevitable betrayal by Sloane…
Joey started in the UK this week after a frenzied bidding war between Sky, Channel 4 and Five which Five one by paying half a million pounds per episode. They must be praying it doesn’t tank. Judging by the first two episodes it has a reasonable chance of success - with at least one likeable new character in the form of Paulo Costanzo’s Michael - Joey’s genius nephew. You’ll recognise Paulo as the pot-smoking genius from Road Trip. He plays much the same character here (minus the pot, obviously - this is prime time America after all!). By the end of the pilot they’d engineered his moving in to Joey’s apartment, thus setting the scene for a nice “odd-couple” arrangement. Hmmm, Joey living with someone much smarter than him? Well, it worked for 10 years with Chandler…
Smallville kicked off this season by introducing Lois Lane to the cast and putting Lana out of Clark’s reach once again by giving her a new boyfriend: the football coach no less! Clark, fed up of sitting on the sidelines (literally and metaphorically) has decided to join the football team and get in the game: expect awkward moments and lots of “Kiss Me You Fool” moments with him and Lana. Smallville hasn’t grabbed me yet this season, but I’ll continue to watch it just to see how they manage to keep weaving the Superman backstory into the show. Some of the nods and winks last season were inspired - especially the use of the original theme when Clark met with Christopher Reeve’s character. I heard rumour of an episode where they play around with the “Flash” origin story, so that should be fun.
So, lots of good telly. Good job I have a TiVo to record it all for me, now if I could only find the time to watch it all…
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